It makes the Master of Ceremonies look stupid. I have seen some terrible Master of Ceremonies who have pre-planned questions, and they ask them earnestly, despite the fact that the speaker already covered the questions in their talk. This shows I have a direct connection to the speaker, and not just some canned response. Instead, I listen intently to the talk, and jot down any ideas for questions while that speaker is still on stage. I never script these questions in advance, because a speaker can easily change the content of their talk. (Just in case the audience don’t have any questions of their own). In my Master of Ceremonies script I always leave space in my notes to jot down 2 questions for the speaker. Master of Ceremonies script writing tip #4 Don’t script the Q and A beforehand. You are pointing out what they may find funny, fascinating, or engaging about the speaker. Remember, you are not just introducing the person by their achievements, you are getting the audience ready to listen to a new voice. Do your research and script out exactly how you will introduce each speaker, but make sure that you know them well enough that the introduction is true and correct. Master of Ceremonies script writing tip #3 Script the introductionsĪ good Master of Ceremonies should have a personal connection to everybody who he invites on to the stage.
The emcee has to make sure everyone has a good time. The Master of Ceremonies can keep order, but he can also create chaos, and sometimes fun and chaos is needed. Don’t just tell them where the toilets are, tell them when they can pee and when they cant. If you want your audience to behave a certain way, make sure it is in your emcee script. I instruct them to laugh, cheer, tease, have fun, drink, relax, swear, and embrace the failure in all its glory.
#Emcee for formal event how to
At an event that is cheeky, raucous, and humorous, like Fuckup Nights, I like to tell the audience directly how to behave. Master of Ceremonies script writing tip #2 Script the behaviourĪs the Master of Ceremonies, or emcee, the audience looks to you to see how to behave.
That headline then gets written on the top of a cue card, and I know exactly how to write my script each time. Return from the break with audience engagement.Įach one of the lines above becomes a headline in my Master of Ceremonies script. Please take your seats, as we will soon begin. This script framework cuts down on preparation time, allows the audience to know what to expect, and speeds things up for the event organisers.Ī typical Master of Ceremonies script framework for a business event will look like this: When working on a Master of Ceremonies script for a reoccurring event, I want to make sure my script is based around a strong framework that I can reuse each time. Master of Ceremonies script writing tip #1 Create a framework In this article I want to take you through step-by-step what it takes to put together my Master of Ceremonies script. As Emcee, it’s my job to make sure that people feel comfortable sharing their stories, and that the audience responds well to tales of failure. The idea behind the night is to share stories of business failures, the screw ups, the mistakes, and the losses. The event has a very naughty name, so it needs a cheeky, energetic emcee, with a sharp, witty script. For the past year I have been emcee of an event called “F*ckup Nights” in Odense, Denmark.
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